To learn to “see creatively
Look for suggestive forms, shapes, and lines for creatively framing you image. The actual “subject” is secondary. Your task is creating a compelling photograph. Use ambiguity
Frame the subject from an unusual viewpoint or limit the image to a fragment of the subject. Work to perceive the two-dimensional forms displayed on your screen as an interesting composition on its own grounds.
My view of the Gateway Arch was taken looking up one leg and then adjusting my view until the arch’s top touched the corner of the frame.
It takes a focused effort to find new ways of perceiving things you “already know.”
A DSLR
A higher density of references enhances a photograph’s potential richness and power. Try shooting in series.. Become fully engaged visually and physically. Move around adjusting view, position, zoom, etc. Continue exploring alternative viewpoints until you feel perhaps you’ve accomplished a step in the right direction. Evaluate your images later on a monitor rather than trying to prejudge what is good or bad on site.
Note: This blog entry was previously published on the Digital Photography School site with the title "Learn to See Abstractly" as a guest post. I've reposted it here upon request.
These shots are gorgeous.
ReplyDeleteLooking at the first, I thought you might like this: http://farm5.static.flickr.com/4049/4479212635_beb4b9879d.jpg
Daniel Ogassian (ogassian.com) designed the concrete tile - it's called Optic 1 - it creates the optical illusion of movement.